„Teremin” változatai közötti eltérés
| [ellenőrzött változat] | [ellenőrzött változat] |
Tartalom törölve Tartalom hozzáadva
a r2.7.1) (Bot: következő hozzáadása: gl:Theremin |
a Bottal végzett egyértelműsítés: Tremolo –> Tremolo (zenei fogalom) |
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7. sor:
A tereminen úgy lehet zenélni, hogy a zenész a kezeit mozgatja a két antenna körül, az egyikkel a hang frekvenciáját (magasságát), a másikkal amplitudóját (a hangerőt) szabályozza.
A teremin [[portamento]], [[glissando]], [[Tremolo (zenei fogalom)|tremolo]] és [[vibrato]] effektusokat megvalósító hangzását gyakran a különleges, szürreális, „földönkívüli”, jelzőkkel illetik, főleg azért, mert a ''[[Spellbound]]'', ''[[The Lost Weekend]]'' és a ''[[The Day the Earth Stood Still]]'' filmek zenéjében is ilyen hangvilágot hoztak létre vele.
A teremint használták a 20. századi modern komolyzenében, valamint olyan népszerűbb műfajokban is mint a [[pop]] és a [[rock]].
37. sor:
Pitch control is challenging because, unlike most musical instruments, the theremin generates tones of any pitch throughout its entire range, including those that lie between the conventional notes. While some other instruments share this feature, particularly the stringed instruments, those instruments use several (typically four) separate strings to express the instrument's full range of pitches, and positions on the fingerboard corresponding to specific notes become familiar to performers. In the case of the theremin, the entire range of pitches is controlled by the distance of the performer's hand to the pitch antenna in mid-air, and over relatively short range of distances. Very precise control of hand position coupled with an excellent sense of pitch is required.
[[Fájl:Carolina Eyck Portrait.jpg|bélyegkép|200px|balra|Carolina Eyck<br />Thereminist]]
Also, the theremin's continuous range of pitches lends itself to [[glissando]] playing, which is often inappropriate to the piece being performed. Skilled performers, through rapid and exact hand movements, minimize undesired portamento and glissando to play individual notes and can even achieve [[staccato]] effects. Small and rapid movements of the hands can create [[Tremolo (zenei fogalom)|tremolo]] or [[vibrato]] effects.
Although pitch is governed primarily by the distance of the performer's hand to the pitch antenna, most precision thereminists augment their playing techniques with a system called "aerial fingering", largely devised by [[Clara Rockmore]] and subsequently extended by [[Lydia Kavina]]. It employs specific hand and finger positions to alter slightly the amount of capacitance relative to the pitch antenna to produce small changes in tone quickly and in a manner that can be reliably recreated.
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