„Nicholas Britell” változatai közötti eltérés

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==Pályafutás==
2008-ban nagy érdeklődést keltett ''Forgotten Waltz No. 2'' című műve, amit [[Natalie Portman]] első rendezői filmjéhez, az ''Eve''-hez írt és saját maga adott elő.<ref name=Dodgy /> Folytatva az együttműködést Portmannel ő szerezte a ''New York, I Love You'' kísérőzenéjét is.<ref>{{cite news|title=Review: "New York, I Love You"|url=https://variety.com/2009/film/reviews/new-york-i-love-you-1200475778/|accessdate=20190513|newspaper=Variety|date=September 30, 2009}}</ref><ref>{{cite news | url=http://untappedcities.com/2011/01/14/in-the-studio-with-nicholas-britell-film-composer-for-new-york-i-love-you/ | title=In the Studio with Nicholas Britell, Film Composer from New York, I Love You | accessdate=20190513 | author=Young, Michelle | date=January 14, 2011 | publisher=Untapped Cities}}</ref>
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In 2008, Britell gained wide notice performing his own work "Forgotten Waltz No. 2" in [[Natalie Portman]]'s directorial debut [[Eve (2008 film)|Eve.]]<ref name=Dodgy /> He collaborated again with Portman, writing music for the film [[New York, I Love You]].<ref>{{cite news|title=Review: "New York, I Love You"|url=https://variety.com/2009/film/reviews/new-york-i-love-you-1200475778/|accessdate=August 25, 2013|newspaper=Variety|date=September 30, 2009}}</ref><ref>{{cite news | url=http://untappedcities.com/2011/01/14/in-the-studio-with-nicholas-britell-film-composer-for-new-york-i-love-you/ | title=In the Studio with Nicholas Britell, Film Composer from New York, I Love You | accessdate=August 25, 2013 | author=Young, Michelle | date=January 14, 2011 | publisher=Untapped Cities}}</ref> In 2011, Britell performed on piano with violin virtuoso [[Tim Fain]] in "Portals."<ref>{{cite news|title=Framing Works With Dance, Words, Screens and Web Browsers|url=https://www.nytimes.com/2011/09/27/arts/music/portals-from-tim-fain-at-symphony-space.html |accessdate=August 25, 2013| author=Kozinn, Allan | newspaper=The New York Times|date=September 26, 2011}}</ref> The multimedia project also featured performances by Craig Black, Julia Eichten and Haylee Nichele and featured music by Philip Glass and [[Nico Muhly]], poetry by [[Leonard Cohen]] and choreography by [[Benjamin Millepied]].<ref>{{cite news|title=Music review: Tim Fain's 'Portals' at the Broad Stage|url=http://latimesblogs.latimes.com/culturemonster/2011/10/music-review-tim-fains-portals-at-the-broad-stage.html |accessdate=August 25, 2013| author=Swed, Mark|newspaper=The Los Angeles Times|date=October 10, 2011}}</ref><ref>{{cite news|title=Classical Music Gets a Modern Update in the Hands of Violinist Tim Fain|url=http://www.vogue.com/culture/article/classical-music-gets-a-modern-update-in-the-hands-of-violinist-tim-fain/#1 |accessdate=August 25, 2013| author=Creeden, Molly | newspaper=Vogue|date=September 20, 2011}}</ref> Vogue Magazine called Britell among "...the most talented young artists at work..."<ref name="vogue">{{cite web|url=http://www.vogue.com/873785/classical-music-gets-a-modern-update-in-the-hands-of-violinist-tim-fain/|title=Classical Music Gets a Modern Update in the Hands of Violinist Tim Fain|website=Vogue|accessdate=December 12, 2017}}</ref>
 
As a film composer, Britell created the music for the movie ''[[Gimme the Loot (film)|Gimme the Loot]]'' directed by Adam Leon.<ref>{{cite news | url=https://movies.nytimes.com/2013/03/22/movies/gimme-the-loot-directed-by-adam-leon.html?_r=0 | title=Larceny for the Sake of Art | accessdate=August 25, 2013 | author=Scott, A. O. | date=March 21, 2013 | authorlink=A. O. Scott| publisher=The New York Times}}</ref> The film would go on to compete in the [[Un Certain Regard]] section at the [[2012 Cannes Film Festival]].<ref name="Official Selection">{{cite web |url=http://www.festival-cannes.fr/en/article/58878.html |title=2012 Official Selection |accessdate=August 26, 2013 |work=Cannes}}</ref><ref name="guardian">{{cite news |url=https://www.theguardian.com/film/2012/apr/30/cannes-2012-seven-films-lineup |title=Cannes 2012: seven films join the lineup |accessdate=August 26, 2012 |work=The Guardian |location=London |first=Andrew |last=Pulver |date=April 30, 2012}}</ref> It won the Grand Jury Prize at the [[South by Southwest Film Festival|SXSW]] Film Festival in 2012.<ref>{{cite news|title=Loot Wins SXSW Grand Jury Prize For Best Narrative Feature Mar. 13, 2012|url=https://variety.com/2012/film/news/loot-wins-sxsw-grand-jury-prize-for-best-narrative-feature-1118051442/|accessdate=August 26, 2013|newspaper=Variety|date=March 13, 2012}}</ref> The music for the film garnered special praise from [[New York Magazine]]<ref>{{cite web |url=http://nymag.com/arts/all/to-do-2013-4-1/l |title=To Do: March 27 – April 3, 2013 |accessdate=August 25, 2012 |work=New York Magazine }}{{dead link|date=February 2018 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> and [[Variety (magazine)|Variety]].<ref>{{cite news | url=https://variety.com/2012/film/reviews/gimme-the-loot-1117947242/ | title=Review: "Gimme the Loot" | accessdate=August 25, 2013 | author=Debruge, Peter | date=March 14, 2013 | publisher=Variety}}</ref> Britell's film composing career continued in 2012 with the scoring of [[Michele Mitchell (journalist)|Michele Mitchell]]'s [[PBS]] documentary ''Haiti: Where Did the Money Go?''<ref>{{cite web |url=http://www.worldcat.org/title/haiti-where-did-the-money-go/oclc/785426707l |title=Haiti : where did the money go? |accessdate=August 26, 2013 |work=OCLC's World Cat}}</ref> The film, which aired over 1,000 times in the United States on PBS stations and was screened at the Oakland Film Festival and the Bolder Life Film Festival in 2012, is the winner of the 2013 National Edward R. Murrow Award for Best News Documentary<ref>{{cite web |url=https://www.rtdna.org/content/2013_national_edward_r_murrow_award_winners#.UhuT6mTXjxk | title=2013 National Edward R. Murrow Award Winners |accessdate=August 26, 2013 |work=Radio Television Digital News Association}}</ref> and winner of a 2012 CINE Golden Eagle Award<ref name="cine">{{cite web|url=http://www.cine.org/fall-2012-golden-eagle-award-recipients/professional-telecast-news-division/|title=Login|website=CINE|accessdate=December 12, 2017|archive-url=https://web.archive.org/web/20130506235035/http://www.cine.org/fall-2012-golden-eagle-award-recipients/professional-telecast-news-division/#|archive-date=May 6, 2013|dead-url=yes|df=mdy-all}}</ref> and a CINE Special Jury Award for Best Investigative Documentary.<ref name="cine2">{{cite web|url=http://www.cine.org/special-jury-awards/cine-2013-special-jury-award-recipients/|title=Login|website=CINE|accessdate=December 12, 2017|archive-url=https://web.archive.org/web/20130927134425/http://www.cine.org/special-jury-awards/cine-2013-special-jury-award-recipients/#|archive-date=September 27, 2013|dead-url=yes|df=mdy-all}}</ref>