„Anselmo Suárez y Romero” változatai közötti eltérés

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14. sor:
1880-ban végre megjelent spanyol nyelven a ''Francisco,'' amely az amerikai kontinens, elsősorban Kuba rabszolgaságát mutatja be.<ref name="suarez"/><ref name="echevarria">{{cite book |last=Gonzalez Echevarría |first=Roberto |title=The Cambridge History of Latin American Literature: The twentieth century. |authorlink= |year=1996 |publisher=Cambridge University Press |location=https://books.google.com/books?id=Whqnbvivog4C |isbn=978-0-521-34070-0 |page=184 |url= |accessdate=|ref=harv }}</ref><ref name="burton">{{cite book |last=Burton |first=Gera |title=Ambivalence and the postcolonial subject: the strategic alliance of Juan Francisco Manzano and Richard Madden |authorlink= |year=2004 |publisher=Peter Lang |location= |isbn=978-0-8204-7058-0 |page=34 |url=https://books.google.com/books?id=UxL5rM-GhhcC |accessdate=January 2, 2011|ref=harv }}</ref> A regény számos új kiadást ért meg.
 
==Irodalmi karrier==<!--
'''Anselmo Suárez y Romero''''s masterpiece:mesterműve a '''''Francisco''''', also known asalcímén '''''ElA ingeniocukormalom oavagy lasa deliciasmező del camposzépségei''''' (''The sugar mill or the delights of the country''),<ref name="suarez"/> 1838 writtenés between1839 1838között andíródott 1839,és isaz consideredamerikai thekontinens first anti-slaveryelső novelrabszolgaság inellenes theregényének Americastartják. TheA othermásik workmű, whichamely encompassedszintén slavery,a wasrabszolgaság theeltörléséről shortszól, storya ''Petrona yés Rosalía'' writtencímű innovella 1838-ból, byamelyet [[Félix Tanco|Félix Tanco y Bosmeniel]] (1797–1871) írt, unpublished1925-ben untiladták 1925ki, whichés alsoszintén toucheda upon slaves'19. livesszázadi inrabszolgaság theéletét 19thmutatja centurybe.<ref name="echevarria"/>
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Based largely on accounts from ''"Autobiografía de un esclavo"'', the autobiography written by Juan Francisco Manzano years before, and which was published later in England,<ref name="cluster">Cluster, Dick; Hernández, Rafael (2008). ''The History of Havana''. MacMillan</ref> the novel '''Francisco''' set out the way for other literary works to follow: ''Cecilia Valdés'' by [[Cirilo Villaverde]] began in 1839, [[Sab (novel)|Sab]] by [[Gertrudis Gómez de Avellaneda]] in 1841, ''El Ranchador'' by Pedro José Morillas in 1856, Antonio Zambrana's ''El negro Francisco'' in 1873, and [[Alejo Carpentier]]'s ''¡Ecué-Yambá!'' in 1933.<ref name="bammer">Bammer, Angelika. (1994). ''Displacements: cultural identities in question, volume 15 of Theories of contemporary culture''. Indiana University Press.</ref><ref name="scott">{{cite book|title=Sab; and, Autobiography|editor=Nina M. Scott|last=Gómez de Avellaneda|first=Gertrudis|year=1993|publisher=University of Texas Press|isbn=|page=xx|ref=harv}}</ref><ref name="diazruiz">{{cite book|title=Francisco, el ingenio o Las delicias del campo|last=Suárez y Romero|first=Anselmo|editor=Fernando Díaz Ruiz|publisher=Editorial Doble J, S. L.|year=2009|ref=harv|isbn=84-96875-02-4|url=https://www.amazon.com/Francisco-ingenio-delicias-campo-Spanish/dp/8496875024}}</ref>
 
34. sor:
Others, like the critic Enrique Piñeyro, thought that the book was unoriginal. His opinion would appear in the periodical ''El Ateneo'' in Havana, and later in ''Revista Cubana''.<ref name="williams"/>
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==Bibliográfia==
*{{cite book |title=Colección de artículos de Anselmo Suárez y Romero |last=Suárez y Romero |first=Anselmo |authorlink= |year=1859 |publisher=Establecimiento tip. La Antilla |location= |isbn= |pages=278 |url=https://books.google.com/books?id=ajIsAQAAIAAJ |accessdate=|ref=harv }}