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==Indiában==
[[Fájl:TheBuddhaAndVajrapaniGandhara2ndCentury.jpg|right|bélyegkép|The Buddha with his protector Vajrapāni. Gandhara, 2nd century]]
A [[Kusán Birodalom]] idején a [[Gandhára művészete|gandhárai művészetben]] Vadzsrapáni szoborábrázolásai Sakjamuni Buddha védelmezőjeként mutatják, nem pedig bodhiszattvaként. Az Indraszalaguha jelenetekben a hátterében hegyek látszódnak, és a víziszörnyek megtérítése ebben a fő motívum. Ezeken az ábrázolásokon különleges nyugati öltözéket visel és más istenek társaságát élvezi. A domborművek Vadzsrapánit ebben a művészeti formában mindig úgy ábrázolják, hogy közben Buddha mások tanításával foglalatoskodik, vagy például, amikor megvilágosodása előtt legyőzi [[Mára|Márát]], a démont. Szintén ehhez a művészeti hagyományhoz tartozik azon jelenetek ábrázolása, amikro Sakjamuni Buddha más remetékkel vív filozófiai vitákat. Szintén népszerűek azok a jelenetek, amikor Buddha a vadzsra használatával visz véghez varázslatot.{{refhely|Brancaccio|p=169}}
During the [[Kushan Empire|Kushana period]] [[Gandhara art]] depicted Vajrapani's images in which he is shown primarily as a protector of Sakhyamuni and not in the role of a bodhisattva. In the ''Indrasalaguha'' scenes, mountains form a part of his environment where his presence during the conversion of the naga [[Apalala]] is shown. In these depictions he is shown wearing exclusive Western attire and always in the presence of other deities. The reliefs in this art form depict Vajrapani always present in the scenes where Buddha is converting people; his presence is shown when the Buddha confronts the opponents of the [[dharma]] like [[Māra|Mara]] before his enlightenment. Scenes of Shakyamuni competing with the heretics are also part of this art tradition. Scenes of Buddha using the vajra of Vajrapani as the "magic weapon" to perform miracles and propagate "superiorty of his doctrine" are also common.{{refhely|Brancaccio|p=169}}
{| style="float:right; background: #f2f2f2; border: 1px solid rgb(192, 192, 192);"
{{double image|right|Ajanta Padmapani.jpg|155|Indischer Maler des 7. Jahrhunderts 001.jpg|167|Paintings of Avalokiteshvara or [[Padmapani]] and Vajrapani on either side of the Buddha in Cave 1}}
|-
In the [[Ajanta Caves|western groups of caves]] in [[Aurangabad district, Maharashtra|Aurangabad]], Vajrapani is depicted as a bodisattva with his vajra in a tableau, a [[votive]] panel of sculptural composition in which he in a standing posture (the only extant figure) over a lotus to the left of a Buddha in a [[dhyanasana]]. In this panel he is adorned with a tall crown, two necklaces, a snake armlet and holds the vajra in his left hand, and resting on a scarf tied across his hips. This close iconographic composition is at the entrance to the porch of cave 2 and in the incomplete porch of cave 1. Such votive carved panels with Vajrapani are also seen in the interior of pradkssina passage of cave 2 in which his presence is with other the ascetic bodisattvas like Avalokiteshvara; in this panel he has a crown in the form of a [[stupa]] with a scarf fastened over his left thigh. {{refhely|Brancaccio|p=167-68}}▼
|[[Fájl:Indischer Maler des 7. Jahrhunderts 001.jpg|208px]]
|[[Fájl:Ajanta Padmapani.jpg|230px]]
|- align="center"
|colspan="2"|Avalókitésvara avagy [[Avalókitésvara|Padmapáni]] és Vadzsrapáni Buddha két oldalán, falfestmények [[[[adzsantai barlangtemplomok||Adzsantában]] az 1. barlangban
|}
 
▲In theAz [[Ajantaadzsantai Caves|western groups of cavesbarlangtemplomok]]ban in [[Aurangabad district, Maharashtra|Aurangabad]], Vajrapani is depicted asVadzsrapáni abodhiszattvaként bodisattvaszerepel with his vajra in a tableau, a [[votive]] panel of sculptural composition in which he in a standing posture (the only extant figure) over a lotus to the left of a Buddha in a [[dhyanasana]]. In this panel he is adorned with a tall crown, two necklaces, a snake armlet and holds the vajra in his left hand, and resting on a scarf tied across his hips. This close iconographic composition is at the entrance to the porch of cave 2 and in the incomplete porch of cave 1. Such votive carved panels with Vajrapani are also seen in the interior of pradkssina passage of cave 2 in which his presence is with other the ascetic bodisattvas like Avalokiteshvara; in this panel he has a crown in the form of a [[stupa]] with a scarf fastened over his left thigh. {{refhely|Brancaccio|p=167-68}}
 
In the eastern group of caves at the entry to cave 6 in Aurangabad, Vajrapani is carved as a commanding persona in the form of a huge [[dvarapala]] along with Avolokiteshvara. Vajrapani image is flanked by a small attendant. He carries Vajra, his luminous weapon on the left hand, which rests on a scarf tied across his hip. His right arm is bent forward -perhaps he held a lotus like his ''paredros'' Avalokitesvara. Both the bodhisattvas guarding the entrance to cave 6 are carved wearing princely headdresses (crowns).{{refhely|Brancaccio|p=167-68}}
A lap eredeti címe: „https://hu.wikipedia.org/wiki/Szerkesztő:Mrszantogabor/Buddhizmus_áttekintése”