„Szerkesztő:Cranach~huwiki/próbalap3” változatai közötti eltérés

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: '''Általánosan elfogadott'''

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: 1473–74 körül {{Harv|Kemp|2011}}

File:Verrocchio, Leonardo da Vinci - Battesimo di Cristo - Google Art Project.jpg</gallery>

| {{hs|Baptism of Christ}}

: 177 × 151 cm

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: probably 1475–1478 {{Harv|Marani|2000}}

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| {{hs|Madonna of the Carnation}}

: '''''[[Madonna of the Carnation]]'''''

: 62&nbsp;×&nbsp;47.5&nbsp;cm

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: '''Általánosan elfogadott'''

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: between 1473 and 1478 <br /> {{Harv|Marani|2000}}

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:The work was proposed as a Leonardo by [[Gustav Friedrich Waagen|Waagen]] in 1866, and supported by Bode. Early 20th-century scholars were vociferous in their disagreement, but most current critics accept both the authorship and the identity of the sitter.<ref name=Chiesa />

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| {{Ntsh|1634}}<gallery widths="180" heights="200">

File:Leonardo da Vinci Benois Madonna.jpg</gallery>

| {{hs|Benois Madonna}}

: 49.5&nbsp;×&nbsp;33&nbsp;cm

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: '''Általánosan elfogadott'''

: Most critics believe that it coincides with a Madonna mentioned by Leonardo in 1478.<ref name=Chiesa />

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: probably after March 1481 {{Harv|Marani|2000}}

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File:Leonardo da Vinci - Adorazione dei Magi - Google Art Project.jpg|</gallery>

| {{hs|Adoration of the Magi}}

: Oil (underpainting) on wood panel

: 240&nbsp;×&nbsp;250&nbsp;cm, 96&nbsp;×&nbsp;97&nbsp;in

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Forensic and scientific analysis by M. Seracini now proves that the paint was not applied by da Vinci, but considerably later, so that ''only the sketch can be "universally accepted"'' (see M. Henneberger https://www.nytimes.com/2002/04/21/magazine/the-leonardo-cover-up.html. Archives | 2002, The New York Times Magazine, 21 April 2002, "The Leonardo Cover-Up"). Carlo Pedretti, the greatest da Vinci scholar states that the results are unambiguous: "From what he showed me ... it's clear that Leonardo's original sketch was gone over by an anonymous painter." Pedretti adds that he was surprised, though not disappointed, that the news was finally getting out – "it's extremely important and should be said because it has to be clarified."

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: 1481/2 {{Harv|Zöllner|2011}}

: 1481 {{Harv|Marani|2000}}

File:Leonardo, san girolamo.jpg</gallery>

| {{hs|S. Jerome in the Wilderness}}

: Tempera and oil on walnut panel

: 103&nbsp;×&nbsp;75&nbsp;cm, 41&nbsp;×&nbsp;30&nbsp;in

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| {{Ntsh|1386}}<gallery widths="180" heights="200">

File:Leonardo Da Vinci - Vergine delle Rocce (Louvre).jpg</gallery>

| {{hs|Virgin of the Rocks}}

: (Louvre version)

: Oil on wood panel, transferred to canvas

: 199&nbsp;×&nbsp;122&nbsp;cm, 78.3&nbsp;×&nbsp;48.0&nbsp;in

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: Considered by most historians to be the earlier of the two versions.

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File:Leonardo da Vinci - Portrait of a Musician.jpg</gallery>

| {{hs|Portrait of a Musician}}

: 45&nbsp;×&nbsp;32&nbsp;cm

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: '''Általánosan elfogadott'''{{efn|'''''Portrait of a Musician''''': Leonardo da Vinci {{Harv|Kemp|2011|p=254}}; Giovanni Antonio Boltraffio (?) and Leonardo (?) {{Harv|Zöllner|2011|p=225}}}}

: Convent of [[Santa Maria delle Grazie-templom (Milánó)|Santa Maria delle Grazie-templom]], Milánó

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: On 9 February 1498 [[Luca Pacioli]] described the mural as being complete.<ref name="Marani 339">{{Harvnb|Marani|2000|p=339}}</ref>

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: [[Sforza Castle|Castello Sforzesco]], Milan

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: Two fragments of Leonardo’s decorative scheme for this room were rediscovered in the late 19th century; they were covered over as they were thought not to be by his hand and were rediscovered again in 1954.<ref name="Marani 339" />

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: National Gallery, London

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: {{circa|1499–1500}} {{Harv|Syson|2011}}

: Louvre, Paris

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: {{circa|1499–1500}} {{Harv|Syson|2011}}

: Louvre, Paris

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: {{circa|1508–1517}} {{Harv|Kemp|2011}}

: [[Louvre]], [[Párizs]]

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: {{circa|1503–1516}} {{Harv|Kemp|2011}}

</gallery>

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